
This revised English edition of Monteverdi's correspondence contains all his known letters and places them within the context of his life and works. Dating from the last forty-two years of his career, the 127 letters paint a vivid picture of artistic life in Mantua, Venice, and Parma at one of the most crucial periods in music history. The time-span, in this new edition, also covers the composer's early years in Cremona and Mantua, and coincides with the flowering of Italian opera and instrumental music. Monteverdi has much to say about the aesthetics of Stage production and meticulously describes his patrons, librettists, instrumentalists, and singers. He also writes about the harsh realities of a life in which the daily round might include a robbery at gunpoint or threats from the Inquisitor.
This collection investigates the professional and personal life of Claudio Monteverdi through his own correspondence to understand the development of Italian opera and the realities of seventeenth-century musical patronage. The volume compiles 127 letters written by the composer, providing a primary source record of his career across Cremona, Mantua, Venice, and Parma. By contextualizing these documents within the broader history of the era, the text offers a detailed examination of the aesthetic, social, and logistical challenges faced by a prominent musician during the transition into the Baroque period.
What You Will Find
Scholars and musicologists regard this volume as a foundational resource for understanding the practicalities of the early modern musical profession. Readers frequently note the academic density of the prose, which provides a rigorous and essential look at the life of one of history's most influential composers.
Page Count:
480
Publication Date:
1995-08-10
Publisher:
Oxford University Press
ISBN-10:
0198164149
ISBN-13:
9780198164142
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