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This first volume of a magisterial two-volume survey of English music charts its development from its beginnings to about 1715. It looks at the music of early monastic institutions and the development of polyphony, including the extraordinarily advanced mid-thirteenth-century canon, "Sumeris icumen in." It deals with the first Golden Age of English music, namely the mid-fifteenth-century composers represented in the Old Hall Manuscript, such as Dunstable and Power. It looks at the remarkable flowering of sixteenth-century choral music, of which Tallis's 'Spem in Alium' is a splendid example. And it charts the rise of the carol, the madrigal, and the seventeenth-century opera and masque and instrumental music, culminating in the genius of Henry Purcell. A well-balanced, judicious survey, with a unity of style and outlook resulting from its single author, the book makes a discussion of the actual music the focus of each chapter, without excluding social and historical comment.
This volume investigates the evolution of English musical composition and institutional practice from its earliest origins through the early eighteenth century. John T. Caldwell, a scholar of musicology, synthesizes historical records and primary musical manuscripts to construct a comprehensive narrative of English musical development. The text argues that the trajectory of English music is defined by distinct periods of innovation, from the rise of polyphony to the emergence of the masque and opera, providing a unified analytical framework for understanding the transition toward the Baroque era.
What You Will Find
Experts recognize this work as a foundational, single-author survey that provides a cohesive perspective on the history of English music. Readers frequently note the academic density of the prose and the author's focus on the technical aspects of the music itself.
Page Count:
730
Publication Date:
1992-01-30
Publisher:
Clarendon Press
ISBN-10:
0198161298
ISBN-13:
9780198161295
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