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Sebastiano del Piombo ( [seba'stja?no del 'pjombo]; c. 1485 - 21 June 1547) was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as Sebastiano Veneziano or Viniziano (Sebastian the Venetian), until in 1531 he became the Keeper of the Seal to the Papacy, and so got the nickname del Piombo thereafter, meaning of the lead, from his new job title of Piombatore. Friends like Michelangelo and Ariosto called him Fra Bastiano. Never a very disciplined or productive painter, his artistic productivity fell still further after becoming piombatore, which committed him to attend on the pope most days, and travel with him. He also had to take holy orders as a friar, despite having a wife and two children. He now painted mostly portraits, and relatively few works of his survive compared to his great contemporaries in Rome. This limited his involvement with the Mannerist style of his later years. Having achieved success as a lutanist in Venice when young, he turned to painting and trained with Giovanni Bellini and Giorgione. When he first went to Rome he worked alongside Raphael and then be..
This volume investigates the artistic evolution and historical significance of Sebastiano del Piombo, a pivotal figure who bridged the Venetian and Roman schools of the High Renaissance. Michael Hirst, a distinguished scholar of Italian Renaissance art, utilizes archival research and formal stylistic analysis to reconstruct the career of Sebastiano Luciani. The text argues that Sebastiano's unique synthesis of Venetian colorism and Roman monumental form represents a critical, yet often overlooked, development in 16th-century European painting.
What You Will Find
Experts recognize this work as a foundational academic study of Sebastiano del Piombo's life and artistic methodology. Readers frequently note the scholarly density of the prose and the meticulous attention to historical context provided by Hirst.
Page Count:
200
Publication Date:
1981-10-08
Publisher:
Oxford University Press
ISBN-10:
0198173083
ISBN-13:
9780198173083
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