This book investigates the cultural, political, and commercial significance of the British costume drama film movement that emerged in the 1980s and 1990s. Andrew Higson, a prominent scholar in British cinema, examines how these films functioned as both artistic products and commodities within the global heritage industry. By analyzing the production, marketing, and exhibition strategies in both the UK and the USA, the author provides a comprehensive framework for understanding the popularity and critical reception of these period pieces.

Experts recognize this work as a foundational text for understanding the intersection of British national identity and global film markets. Readers frequently note the academic rigor and the depth of the industry analysis provided by the author.