This collection of essays investigates how rapid technological advancements and shifts in literary and artistic theory challenge the foundational principles of copyright law, including authorship and originality. Brad Sherman and a group of international scholars from diverse academic backgrounds analyze the intersection of legal doctrine and cultural practice. The volume provides a critical framework for understanding how copyright systems adapt to modern creative expressions and the evolving nature of influence in the arts.

Legal scholars and practitioners frequently cite this collection as a vital resource for understanding the theoretical underpinnings of intellectual property. The text is noted for its interdisciplinary approach, making it a standard reference for those studying the intersection of law and cultural theory.