This book investigates the critical significance of 'site' in the practice of art writing. Jane Rendell, a leading figure in architectural and cultural theory, explores how the physical and conceptual locations where art is encountered shape critical interpretation. Drawing on the work of Mieke Bal, Rendell argues for a mode of criticism that prioritizes the context of artistic engagement. The volume examines various case studies to demonstrate how understanding the 'site' is crucial for a richer understanding of art and its reception.

The book is recognized for its theoretical rigor and its contribution to the fields of art criticism and cultural geography. It is noted for its engagement with prominent critical theories, particularly Mieke Bal's concept of 'art writing.' The work is likely to appeal to academics and students in art history, architecture, and cultural studies seeking to deepen their understanding of contextual analysis in art.