This volume critically examines current and emerging filmmaking trends across East Asia. Edited by Vivian P. Y. Lee, the book presents original essays that offer new perspectives on the cinematic landscapes of China, Taiwan, Hong Kong, Japan, and South Korea. It aims to be a timely and significant contribution to the existing body of scholarship in the field of East Asian cinema.

The book is positioned as a timely and important contribution to scholarship on East Asian cinemas. Its collection of original essays is intended to shed new and critical light on current and emerging filmmaking trends and practices in key East Asian countries. The scope suggests a focus on academic analysis and critical discourse within the field.