This publication documents for the first time a wealth of previously unknown colored works on paper by Josef Albers. The book explores Albers' artistic evolution after his emigration to the U.S., where he became a prominent artist and influential teacher. It highlights how his inspiration from pre-Columbian art in Mexico, beginning around 1940, led to a liberation of his aesthetic sensibilities and the creation of unconventional, radiant color compositions. The text focuses on his discovery of the square around 1950 as the ideal form for color, presenting each work on paper as an evocation of the phenomenality of color.

This publication is recognized for its comprehensive documentation of Josef Albers' lesser-known colored works on paper, offering new insights into his artistic journey. The book is valued for its detailed exploration of his engagement with pre-Columbian art and its impact on his distinctive color palettes. Art historians and enthusiasts appreciate the focus on Albers' philosophical approach to color and his mastery of the square as a compositional element. The collection is seen as a significant contribution to the understanding of modern painting and color theory.