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The Complete Works of James Shirley contains a corpus of around 50 works, including plays, poems, grammars and prose. Shirley (1596-1666) is arguably the most significant dramatic writer of the late English Renaissance, but the last scholarly collections of his plays appeared in the nineteenth century and this Oxford edition is the first to provide a complete works. Shirley was a quintessentially Caroline writer whose work echoes and builds upon the art of his Elizabethan and Jacobean predecessors. Caroline drama would be unthinkable without Shirley, who enjoyed a great reputation as a playwright both at court and in the theatres. This comprehensive scholarly edition provides well-annotated modernized texts of the full range of Shirley's remarkable output, not just of his favourite plays. Each work is introduced by an essay examining dating and background, sources, context and performance, and by one which discusses the textual situation and production of the early editions. An extensive footnoted commentary is provided for all texts, to help the modern reader with difficult passages, explain historical usage and customs and to clarify meaning in context. Volume 7 contains four plays written between c. 1636 and 1639, The Constant Maid, The Doubtful Heir, The Gentleman of Venice and The Politician. The plays were probably staged in Ireland during Shirley's time as resident dramatist for the Werburgh Street Theatre in Dublin from 1636 to 1640, though they were not printed until his return to London in 1640 for The Constant Maid and in the 1650s for the others. Shirley's full generic range can been seen in this volume: The Constant Maid is a London-based comedy, The Doubtful Heir and The Gentleman of Venice are tragi-comedies set in Europe and The Politician draws on Hamlet for both its Scandinavian setting and its tragic genre.
This collection presents four distinct dramatic works by James Shirley, capturing the shifting tensions of Caroline-era theater through comedy, tragi-comedy, and tragedy. These plays, written during the author's tenure in Dublin, explore themes of social status, political intrigue, and moral ambiguity. The narrative framework relies on the conventions of seventeenth-century stagecraft, utilizing complex dialogue and structured plot developments to examine the human condition. Each play functions as a self-contained exploration of character motivation within the rigid social hierarchies of the period.
Readers and scholars frequently highlight this volume as a vital resource for understanding the transition of English drama during the late Renaissance. Discussion often centers on Shirley's ability to navigate diverse genres, from lighthearted comedy to darker, Hamlet-inspired tragedy. Critics emphasize the value of the modernized text and the detailed annotations, which provide necessary context for navigating the complexities of seventeenth-century language. The collection is widely regarded as a foundational reference for those studying the Caroline period and the evolution of the professional theater.
Page Count:
560
Publication Date:
2022-06-14
Publisher:
Oxford University Press
ISBN-10:
0198868928
ISBN-13:
9780198868927
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