Author Description

The ideas behind the various groupings of poems come from vastly different periods of poetic enquiry, beginning with The Images which included @ one time or another Gestus; Metempsychosis; Rasa; Aleph; which as Poems were born out of my quest to modernise the epic in the same way as Pound had attempted with the Cantos. The inherent philosophy behind the styles of these poems was born from the notion arrived @ in 2005 that it was possible to turn the epic inside out & merge various boundaries, ask questions about the concept of a collection of poems as a whole cohesive work, could a new form of epic poem be both a collection of poems & also an epic poem in its own right, existing as distinctly both, a polysemy. It almost becomes then a conceptual foot, & a multi-dimensional word. For example 'I let my red dress love language more than you', placed here out of the context in which it sits within the stanzas of the poem it is reused & repeated in, appears to have a very specific meaning, but that phrase can be seen from many perspectives even whilst it is alone without other phrases with it. Thus does it truly become a concept rather than just a phrase, because of all of the symbolic meanings that can be understood from it, expressed with it from the perspective of those reading it, using it. It becomes more than just a singular sentence expressing a particular & explicit meaning. Especially as the experience of the reader also defines its meaning on top of any meaning imbued within it from the author, thus a poem & a poetry collection are inherently the co-creation of both the reader & the writer, & a thousand people could read them & understand entirely different things from them, thus does the experience of each reader make the collection or singular poem have specific & different meanings to each reader alone, the author being just the vehicle to arrive @ the myriad of conclusions by providing the readers with writing whose purpose is to be finished each time diffe