This book examines the cinematic and thematic elements of Éric Rohmer's 1969 film, 'My Night at Maud's'. It delves into Rohmer's directorial style, his philosophical underpinnings, and the cultural context of the film's release. The analysis likely explores the film's dialogue-driven narrative and its exploration of moral and existential questions.

This book is likely regarded as a scholarly work for film enthusiasts and students of cinema, offering an in-depth look at a significant film by a notable director. The analysis would appeal to those interested in auteur theory and the intellectual currents of French cinema. It provides a critical perspective on Rohmer's work, contributing to the academic discourse on his filmography.