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A Broadway classic, a call to action, and an incredibly malleable popular song, Ol' Man River is not your typical musical theater standard. Written by Jerome Kern and Oscar Hammerstein II in the 1920s for Show Boat, Ol Man River perfectly blends two seemingly incongruous traits-the gravity of a Negro spiritual and the crowd-pleasing power of a Broadway anthem. Inspired by the voice of African American singer Paul Robeson, who adopted the tune for his own goals as an activist, Ol' Man River is both iconic and transformative. In Who Should Sing Ol' Man River? The Lives of an American Song, author Todd Decker examines how the song has shaped, and been shaped by, the African American experience. Yet Ol' Man River also transcends both its genre and original conception as a song written for an African American male. Beyond musical theater, this Broadway ballad has been reworked in musical genres from pop to jazz, opera to doo wop, rhythm and blues to gospel to reggae. Pop singers such as Bing Crosby, Frank Sinatra, and Judy Garland made Ol' Man River one of their signature songs. Jazz artists such as Bix Biederbecke, Duke Ellington, Dave Brubeck, Count Basie, and Keith Jarrett have all played Ol' Man River, as have stars of the rock and roll era, such as Sam Cooke, Ray Charles, Aretha Franklin, The Temptations, Cher, and Rod Stewart. Black or white, male or female-anyone who sings Ol' Man River must confront and consider its charged racial content and activist history. Performers and fans of musical theater as well as students of the Civil Rights Movement will find Who Should Sing Ol' Man River an unprecedented examination of a song that's played a groundbreaking role in American history.
This book investigates how the song 'Ol' Man River' functions as a complex cultural artifact that reflects and shapes the African American experience within the broader context of American history. Todd R. Decker, a musicologist, utilizes extensive archival research and performance analysis to trace the song's evolution from its origins in the 1920s musical 'Show Boat' to its diverse iterations across multiple musical genres. The author argues that the song's inherent tension between its spiritual roots and its Broadway commercialism forces every performer to engage with its charged racial history and activist legacy.
What You Will Find
Experts recognize this work as a significant contribution to musicology and cultural history, noting the author's ability to synthesize complex social themes with technical musical analysis. Readers frequently highlight the depth of the research and the clarity with which the author navigates the song's controversial and evolving legacy.
Page Count:
296
Publication Date:
2014-01-01
Publisher:
Oxford University Press
ISBN-10:
0199389195
ISBN-13:
9780199389193
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