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Modernist texts and writings of protest have until now received most of the critical attention of literary scholars of the First World War. Popular literature with its penchant for predictable storylines, melodramatic prose, and patriotic rhetoric has been much-maligned or at the very least ignored. Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War redresses the balance. It turns the spotlight on the novels and memoirs of women writers - many of whom are now virtually forgotten - that appealed to a British reading public hungry for amusement, news, and above all, encouragement in the face of uncertainty and grief. The writers of 1914-18 had powerful models for interpreting their war, as a consideration of texts from the Anglo-Boer War of 1899-1902 shows. They were also bolstered by wartime publishing practices that reinforced the sense that their books, whether fiction or non-fiction, were not simply 'light' entertainment but a powerful agents of propaganda. Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and is an important new contribution to the study of the literature of the Great War.
This book investigates the neglected body of popular literature written by women during the First World War to determine how these texts functioned as both cultural artifacts and instruments of propaganda. Jane Potter, a scholar of early twentieth-century literature, challenges the academic focus on modernist and protest writing by examining the novels and memoirs that shaped the British public's wartime consciousness. By situating these works within the context of contemporary publishing practices and historical precedents like the Anglo-Boer War, the author argues that these popular narratives provided essential encouragement and interpretation for a society navigating unprecedented uncertainty and loss.
What You Will Find
Scholars and historians recognize this work as a significant intervention in the study of Great War literature, effectively expanding the canon beyond traditional modernist texts. Readers frequently note the clarity of the prose and the value of the archival research in bringing long-overlooked female voices back into the academic conversation.
Page Count:
272
Publication Date:
2008-12-15
Publisher:
Oxford University Press
ISBN-10:
0199543216
ISBN-13:
9780199543212
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