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A collection of new essays on the remarkable work produced by the poet Geoffrey Hill since the mid-1990s. Hill is widely recognised as the finest living English poet and the quality of his recent publications has been matched by the pace at which he produces quantities of profound and startlingly original verse. This book brings together work on Hill by figures as diverse as Rowan Williams and Christopher Ricks, along with penetrating treatments of these late writings by younger scholars, in order to provide a series of fresh perspectives on some of the finest and most challenging poetry now being written. It explores topics including physicality, death, confession, and recusancy, and also contains a large-scale bibliography of Hill's writings, which will be invaluable to all those seeking to read more widely in the work of this fascinating and exceptional figure.
This collection investigates the stylistic evolution and thematic complexity of Geoffrey Hill’s poetry produced from the mid-1990s onward. Editors John G. Lyon and Peter McDonald assemble a diverse group of contributors, including established critics like Christopher Ricks and Rowan Williams, to analyze the linguistic density and philosophical rigor of Hill's later verse. The volume argues that Hill’s recent output represents a significant development in contemporary English poetry, requiring specialized critical frameworks to fully interpret his engagement with history, theology, and the mechanics of language.
What You Will Find
Scholars and students of contemporary poetry regard this volume as a vital resource for navigating the challenging nature of Hill’s later work. Readers frequently note the academic density of the prose, which serves as a foundational text for those seeking to understand the intricacies of one of the most significant poets of the modern era.
Page Count:
248
Publication Date:
2012-09-07
Publisher:
Oxford University Press
ISBN-10:
0199586608
ISBN-13:
9780199586608
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