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For over two centuries--starting with the earliest surviving iambic poet and elegist, Archilochus--elegy and iambus attracted some of the finest poetic talents in Greek history and played a major role in public and private life, surviving as living forms into the fourth century BC. The study of these poetic forms has been transformed in recent years by new papyrological finds, yet historically scholarly attention has tended to focus predominantly on Greek lyric poetry. This edited collection provides the first comprehensive exploration devoted specifically to iambus and elegy, offering an important insight into the key issues within current research on the genres. Chapters by leading international experts in the field examine the forms from a broad range of perspectives--addressing questions of genre definition, performance and context, authorial voice and style, interactions and intertexts, and the texts' transmission and reception--and provide a solid foundation for future research.
This collection investigates the evolution, performance, and cultural significance of Greek iambus and elegy from the archaic period through the fourth century BC. Editors Chris Carey and Laura Swift assemble a series of essays by international scholars to address the relative neglect of these genres compared to Greek lyric poetry. By incorporating recent papyrological discoveries, the contributors establish a new framework for understanding how these poetic forms functioned within the public and private spheres of ancient Greek life.
What You Will Find
Experts recognize this volume as a foundational resource for filling a significant gap in classical scholarship regarding non-lyric Greek poetry. Scholars frequently highlight the text's utility in synthesizing complex papyrological data into a coherent overview of genre development.
Page Count:
400
Publication Date:
2016-04-18
Publisher:
Oxford University Press
ISBN-10:
0199689741
ISBN-13:
9780199689743
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