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These Thousands, And Tens And Twenties Of Thousands Of American Young Men, Badly Wounded, All Sorts Of Wounds, Operated On, Pallid With Diarrhea, Languishing, Dying With Fever, Pneumonia, &c. Open A New World Somehow To Me, Giving Closer Insights, New Things, Exploring Deeper Mines Than Any Yet, Showing Our Humanity, (i Sometimes Put Myself In Fancy In The Cot, With Typhoid, Or Under The Knife,) Tried By Terrible, Fearfulest Tests, Probed Deepest, The Living Soul's, The Body's Tragedies, Bursting The Petty Bounds Of Art. So Wrote Walt Whitman In March Of 1863, In A Letter Telling Friends In New York What He Had Witnessed In Washington's War Hospitals. In This, We See Both A Description Of War's Ravages And A Major Artist's Imaginative Response To The Horrors Of War As It Bursts The Petty Bounds Of Art. In...the Real War Will Never Get In The Books, Louis Masur Has Brought Together Fourteen Of The Most Eloquent And Articulate Writers Of The Civil War Period, Including Such Major Literary Figures As Nathaniel Hawthorne, Harriet Beecher Stowe, Ralph Waldo Emerson, Frederick Douglass, Herman Melville, Walt Whitman, Henry Adams, And Louisa May Alcott. Drawing On A Wide Range Of Material, Including Diaries, Letters, And Essays, Masur Captures The Reactions Of These Writers As The War Was Waged, Providing A Broad Spectrum Of Views. Emerson, For Instance, Sees The War Come As A Frosty October, Which Shall Restore Intellectual & Moral Power To These Languid & Dissipated Populations. African-american Writer Charlotte Forten Writes Sadly Of The Slaughter At Fort Wagner: It Seems Very, Very Hard That The Best And Noblest Must Be The Earliest Called Away. Especially Has It Been So Throughout This Dreadful War. There Are Writings By Soldiers In Combat. John Esten Cooke, A Writer Of Popular Pre-revolutionary Romances Serving As A Confederate Soldier Under J.e.b. Stuart, Describes Stonewall Jackson's Uniform: It Was Positively Scorched By Sun--had That Dingy Hue, The Product Of Sun
How did the most prominent American writers of the mid-nineteenth century perceive, process, and document the profound trauma of the Civil War? Louis P. Masur, a historian specializing in American culture, compiles a diverse collection of primary source writings to examine the intellectual and emotional responses of the era's literary elite. By juxtaposing the private reflections of figures like Walt Whitman and Frederick Douglass against the public discourse of the time, Masur argues that the war fundamentally altered the trajectory of American literature and national identity.
What You Will Find
Scholars and historians frequently cite this collection as a vital resource for understanding the intersection of literature and historical trauma during the 1860s. The text is noted for its accessible yet rigorous curation, making it a standard reference for those studying the cultural history of the American Civil War.
Page Count:
320
Publication Date:
1995-01-01
Publisher:
Oxford University Press
ISBN-10:
0199726868
ISBN-13:
9780199726868
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