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Based on an exhibition of the same title, this book focuses on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Referring to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at feminism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models. With contributions by artists such as Anat Ben-David, Patty Chang, Mary Beth Edelson, Cosey Fanni Tutti, Manon, Yoko Ono, Pipilotti Rist, Katharina Sieverding, Annie Sprinkle, and Mathilde ter Heijne. -- JRP-Ringier website.
This book explores contemporary feminist positions and their relevance in a rapidly changing world. It examines the ongoing need for new role models and strategies, challenging the idea of post-feminism and proposing alternative frameworks. The work delves into the historical and current roles of female artists, the impact of capitalism on feminist discourse, and presents a survey of diverse artistic and theoretical perspectives.
This book, stemming from an exhibition of the same title, presents a collection of essays and artistic contributions that engage with contemporary feminist thought. The collection is noted for its critical examination of current feminist discourse, particularly in relation to art history and socio-economic shifts. It brings together diverse voices to challenge established notions and advocate for evolving strategies and role models within feminism.
Page Count:
317
Publication Date:
2007-01-01
ISBN-10:
3905770539
ISBN-13:
9783905770537
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