
In Hard Times, musical theater historian Elizabeth L. Wollman takes readers on a fascinating tour of the adult musical scene of New York City's rampant 1970s.After the success of Hair in 1968, the low-budget adult musical proliferated. The most famous was the long-running "Oh! Calcutta!", but countless more made it to stage: "Stag Movie," "Let My People Come," "The Faggot," and others. Structured like old-fashioned revues, with thematically interconnected songs and skits, they received little respect from critics, who either condemned them for going too far in the direction of hard-core pornography, or for not being erotic enough. The public thought otherwise, flooding the theaters and pouring cash into box-office tills. Wollman shows that adult musicals represented far more than a silly fad from a silly decade: they reflected experimentation with newfound sexual freedom, not to mention the rise of the women's and gay liberation movements. She examines the impact of the Stonewall riots on gay musicals; how feminism was reflected on stage; and how "porno chic" and hard-core porn influenced performances. Even the most middlebrow efforts brought into focus the debate between art and obscenity, and angst over New York City's socioeconomic status. By the early 1980s, as the city's economy recovered and society grew conservative, these musicals disappeared-an indicator of a larger transformation.Wollman reasserts the significance of this humble (if hardly modest) art form. Adult musicals, she shows, represented aspects of American culture at their messiest and most confused-and thus at their most honest.
This book investigates the cultural and socioeconomic significance of the adult musical theater scene in 1970s New York City, arguing that these productions were vital barometers of the era's shifting social mores. Elizabeth L. Wollman, a musical theater historian, utilizes archival research, performance analysis, and historical context to examine how these low-budget, often controversial productions reflected the broader tensions of the decade. She posits that these musicals were not merely transient fads but were deeply intertwined with the rise of sexual liberation, feminism, and gay rights movements, as well as the city's own economic instability. By analyzing the intersection of art, obscenity, and urban decay, the author provides a framework for understanding how these performances captured the messy, honest reality of American culture during a period of intense transition.
What You Will Find
Scholars and theater historians recognize this work as a significant contribution to the study of fringe performance art and urban cultural history. Readers frequently note the academic rigor Wollman applies to a subject often dismissed as mere kitsch or pornography.
Page Count:
288
Publication Date:
2012-10-29
Publisher:
Oxford University Press
ISBN-10:
0199747482
ISBN-13:
9780199747481
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