
Music Outside the Lines is an informative and practical resource for all who are invested in making music composition an integral part of curriculum. Author Maud Hickey offers both a well-grounded justification for teaching music composition and also a compendium of useful instructional ideas and classroom activities. Hickey begins with a rationale for teachers to begin composition activities in their own classrooms, with a thoughtful argument that demonstrates that all music teachers possess the skills and training needed to take children along the path toward composing satisfying musical compositions even if they themselves have never taken formal composition lessons. She also addresses some of the stickier issues that affect teaching music composition in schools such as assessment, notation, and technology. Most importantly, she introduces a curricular model for teaching composition, a model which provides an array of composition activities to try in both the music classrooms and studio. These activities encourage musical and creative growth through music composition; while they are organized in logical units corresponding to well-known teaching modules, they also offer jumping off points for music teachers to exercise their own creative thinking and create music composition activities that are customized to their classes and needs.As a whole, Music Outside the Lines both successfully reasons that music composition should be at the core of school music curriculum and also provides inservice and preservice educators with an essential resource and compendium of practical tips and plans for fulfilling this goal.
This book investigates the pedagogical necessity and practical implementation of teaching music composition within K-12 classrooms. Author Maud Hickey, an expert in music education, provides a comprehensive framework that empowers educators—regardless of their own formal composition training—to integrate creative music-making into their existing curricula. By addressing common barriers such as assessment, notation, and technology, she argues that composition is an accessible and vital component of a well-rounded musical education.
What You Will Find
Educators frequently cite this work as a foundational resource for bridging the gap between traditional music performance and creative composition. Experts highlight the book's utility for both preservice and inservice teachers seeking actionable, classroom-tested strategies.
Page Count:
192
Publication Date:
2012-11-01
Publisher:
Oxford University Press
ISBN-10:
019982679X
ISBN-13:
9780199826797
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