
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.
How do auditory illusions in music and speech reveal the underlying mechanisms of human brain organization and perception? Diana Deutsch, a prominent researcher in the psychology of music, utilizes her extensive experimental findings to argue that our perception of sound is not a passive recording of reality but an active construction influenced by language, culture, and individual neurological variation. By analyzing specific auditory phenomena, she demonstrates that music and speech share a common evolutionary origin and that the brain processes these inputs through complex, interconnected pathways.
What You Will Find
Scope Limits
Experts recognize this work as a definitive collection of auditory phenomena that bridges the gap between music theory and cognitive neuroscience. Readers frequently note that the inclusion of audio examples significantly enhances the accessibility of the complex scientific concepts presented in the text.
Page Count:
263
Publication Date:
2019-01-01
Publisher:
Oxford University Press
ISBN-10:
0190206853
ISBN-13:
9780190206857
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