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Begins with southern folk music in its British and American types during the 18th century; traces their respective developments into the streams of ragtime, blues and jazz in the early 20th century; discusses such offshoots as Hillbilly, Cajun and Gospel music; analyzes the variegated trends whereby this music moved from its southern regionalism to a more national kind of expression and acceptance.
This book investigates the evolution and dissemination of Southern music from its colonial roots to its national prominence. Bill C. Malone, a distinguished historian of American music, draws upon extensive research into regional musical traditions, tracing their development through various genres. The book analyzes how Southern folk music, encompassing British and American types from the 18th century, branched into ragtime, blues, and jazz by the early 20th century. It further explores offshoots like Hillbilly, Cajun, and Gospel music, detailing the transition from regional expression to national acceptance.
This work is recognized as a comprehensive and authoritative account of the development of Southern music. Scholars and enthusiasts alike have noted its thorough research and clear exposition of complex musical lineages. The book is praised for its detailed tracing of genres from their regional origins to their broader national impact. It serves as a foundational text for understanding the cultural significance and pervasive influence of music originating from the American South.
Page Count:
203
Publication Date:
2003-01-01
Publisher:
University Press of Kentucky
ISBN-10:
0813126355
ISBN-13:
9780813126357
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