The book examines the complex relationship between government funding and artistic expression in the United States during the 1930s. It investigates the impact of New Deal programs, such as the Works Progress Administration (WPA), on various art forms, including painting, sculpture, theater, and literature. The work explores the debates and controversies surrounding government patronage, the role of artists in society, and the lasting legacy of these initiatives on American culture.

This work is recognized for its detailed historical research into a pivotal period for arts funding in America. It is often cited for its comprehensive approach to understanding the New Deal's influence on artists and cultural institutions. The book provides a thorough account of the policies, programs, and debates that shaped the relationship between government and the arts during the 1930s, offering valuable insights for scholars of American history and cultural policy.