
Performing Masculinity/masculinity In Performance / Kate Whittaker -- Soprano Masculinities / Susan Mcclary -- Pitch Fever: The Castrato, The Tenor, And The Question Of Masculinity In Nineteenth Century Opera / Freya Jarman -- Russian Opera Rebels: Fyodor Komissarzhevsky, Nikolai Figner, And The Rise Of The Tenor Antihero / Juliet Forshaw -- The Erotics Of Masculinity In Zeffirelli's Film Otello / Marcia J. Citron -- Saint-saens' Samson / Kevin Kopelson -- More Cases Of Wagner / Peter Franklin -- Britten And The Deadlock Of Identity Politics / J.p.e. Harper-scott -- Troubling Gender And Identity In W.a. Mozart's Zaide And Chaya Czernowin's Adama / Martin Iddon -- Opera's Unconscious, Or What Men Don't Say / Ian Biddle -- Portrait Of The Artist As An Older Man / Michael & Linda Hutcheon -- The Crisis Of Masculinity In Poulenc's Les Mamelles De Tirésias / Philip Purvis. Edited By Philip Purvis. Includes Bibliographical References And Index.
This collection investigates how operatic performance constructs, challenges, and reflects shifting definitions of masculinity across historical and cultural contexts. Edited by Philip Purvis, the volume assembles a series of scholarly essays that examine the intersection of gender theory and musicology. By analyzing specific composers, vocal types, and cinematic adaptations, the contributors argue that the operatic stage serves as a critical site for the negotiation of male identity and social performance.
What You Will Find
Experts recognize this volume as a significant contribution to the field of musicology and gender studies, particularly for its interdisciplinary approach to operatic performance. Readers frequently note the academic density of the prose, which is intended for scholars and advanced students of music history.
Page Count:
0
Publication Date:
2013-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0415640067
ISBN-13:
9780203082928
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