This book presents a photographic exploration of the Iranian port city of Anzali, capturing its atmosphere of decay, dampness, and muted poeticism over a two-year period. Mehdi Vosoughnia, though not born in Anzali, was deeply affected by its unique character, focusing his lens on its architecture, streets, shops, docks, and beaches. The collection highlights a city that feels lonely and devoid of people, yet whose human presence is palpable through the traces left behind. An accompanying essay by Arvin Ilbeigi offers reflections on the city's history and its enduring impression.

This photographic collection offers a poignant and atmospheric portrayal of Anzali, a city often characterized by its decay and dampness. The black-and-white images, devoid of overt human subjects, succeed in conveying a palpable sense of presence and a muted, poetic solitude. The inclusion of Arvin Ilbeigi's essay provides historical context and a reflective counterpoint to Vosoughnia's visual narrative, enhancing the book's overall contemplative mood.