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Klaus Dauven's drawings are not limited to the small format of works on paper or canvas: He paints on large concrete dams, underbridges, noise abatement walls on the side of motorway. Dauven does not apply paint or any other medium, like painter commonly do, he does the exact opposite! Dauven takes away, the takes away the dirt and grime, the patina. Through the contrast between cleaned, cleared parts of these huge surfaces and the still patinated, grimy areas Dauven creates his pictures on a large scale. His biggest project so far is the drawing of,,Hanazakari" on the Matsudagawa Dam in Japan. For this he is widely recognized. 2013 Dauven will start a similarly tremendous project in Brasil. Dauven has not always worked on such a big scale. In the book,,Depatinations" which depicts a selection of his works since 1999 one can trace the development of size in Dauven's works.
Klaus Dauven creates monumental art by removing dirt and grime from large surfaces. The book 'Depatinations' documents his artistic development from 1999 to 2012, showcasing his unique technique of 'depainting' by cleaning vast structures like concrete dams and noise abatement walls. Dauven's work is recognized globally, with his largest project being the 'Hanazakari' drawing on the Matsudagawa Dam in Japan, and a significant new project planned for Brazil in 2013.
This book showcases the distinctive artistic practice of Klaus Dauven, who utilizes cleaning as his medium to create large-scale works. The 'Depatinations' collection offers a comprehensive look at his evolution, particularly the growth in the scale of his projects, culminating in significant international recognition for works like 'Hanazakari'. The publication serves as a visual record of his unique approach to art, contrasting cleaned areas with the original patina of urban structures.
Page Count:
172
Publication Date:
2013-01-01
Publisher:
Die Neue Sachlichkeit
ISBN-10:
3942139413
ISBN-13:
9783942139410
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