This volume investigates the intersection of feminist theory and theatrical practice to define how performance functions as a site for gender critique and social change. Carol L. Martin, an established scholar in performance studies, compiles a rigorous selection of primary texts and critical essays to map the evolution of feminist thought within the arts. The book provides a structured framework for understanding how performance art challenges traditional stage hierarchies and patriarchal narratives. By bridging academic theory with practitioner experience, the text offers a comprehensive overview of the field's development.

Scholars and students of theatre history frequently cite this collection as a foundational resource for understanding the theoretical underpinnings of feminist performance. Experts note that the inclusion of both academic critique and practitioner interviews provides a balanced perspective that is highly useful for classroom instruction and research.