
Dances Of José Limón And Erick Hawkins Examines Staging's Of Masculinity, Whiteness, And Latinidad In The Work Of Us Modern Dance Choreographers, José Limón (1908-1972) And Erick Hawkins (1908-1994). Focusing On The Period Between 1945 To 1980, This Book Analyzes Limón And Hawkins' Work During A Time When Modern Dance Was Forming New Relationships To Academic And Governmental Institutions, Mainstream Markets, And Notions Of Embodiment. The Pre-war Expressionist Tradition Championed By Limón And Hawkins' Mentors Faced Multiple Challenges As Ballet And Broadway Complicated The Tenets Of Modernism And Emerging Modern Dance Choreographers Faced An Increasingly Conservative Post-war Culture Framed By The Cold War And Red Scare. By Bringing The Work Of Limón And Hawkins Together In One Volume, Dances Of José Limón And Erick Hawkins Accesses Two Distinct Approaches To Training And Performance That Proved Highly Influential In Creating Post-war Dialogues On Race, Gender, And Embodiment. This Book Approaches Limón And Hawkins' Training Regimes And Performing Strategies As Social Practices Symbiotically Entwined With Their Geo-political Backgrounds. Limón's Queer And Latino Heritage Is Put Into Dialogue With Hawkins' Straight And European Heritage To Examine How Their Embodied Social Histories Worked Co-constitutively With Their Training Regimes And Performance Strategies To Produce Influential Staging's Of Masculinity, Whiteness, And Latinidad-- Provided By Publisher.
This book investigates how the choreographic practices and training regimes of José Limón and Erick Hawkins functioned as social mechanisms for constructing and staging identities of masculinity, whiteness, and Latinidad in post-war America. Author James Moreno examines the intersection of these two influential modern dance figures, analyzing how their distinct cultural backgrounds and embodied histories interacted with the shifting political and institutional landscape of the United States between 1945 and 1980. By situating their work within the context of the Cold War and the evolving influence of ballet and Broadway, the text argues that their performance strategies were not merely aesthetic choices but were deeply embedded in the geopolitical and social realities of their time.
What You Will Find
Scholars and dance historians identify this work as a significant contribution to the study of embodiment and identity politics within the performing arts. Readers frequently note the academic rigor of the text, which provides a necessary framework for understanding the intersection of choreography and social history.
Page Count:
116
Publication Date:
2020-01-01
Publisher:
London ; New York : Routledge/taylor & Francis Group, 2020
ISBN-10:
020373341X
ISBN-13:
9780203733417
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