This book explores the multifaceted artistic practice of Georgian artist Andro Wekua. It presents a survey of his works held within the Dakis Joannou Collection, accompanied by an essay from Gary Carrion-Murayari that delves into the artist's veiled narratives. Wekua's work, which spans painting, collage, drawing, installation, sculpture, and film, is characterized by its oscillation between the hyper-real and dream-like, drawing from personal memories and political history. This monograph is part of the '2000 Words' series, conceived to offer insights into contemporary artists.

This monograph is presented as part of a series dedicated to exciting contemporary artists, suggesting it is intended for an audience interested in current art world figures. The inclusion of an essay by Gary Carrion-Murayari and the focus on works within a specific collection indicate a scholarly or curatorial approach. The description highlights the artist's unique style, blending personal and political themes with a dream-like quality, which would likely appeal to those interested in introspective and narrative-driven contemporary art. The publication by the Deste Foundation further situates it within the context of contemporary art discourse.