The work explores the concept of a 'harmonic autobiography' through its unique musical structure. Gerald Barry's '1998' for solo piano is presented as a collection of evolving ideas and moods, with alternating bars offering specific performance instructions such as 'blazing,' 'relish the sound,' 'quiet and clear,' and 'sad and pale.' This piece is one version of a larger work, with other arrangements existing for string quartet and violin and piano.

The '1998' for solo piano by Gerald Barry is presented as a 'harmonic autobiography,' suggesting a deeply personal and introspective musical exploration. The inclusion of varied performance directives like 'blazing' and 'sad and pale' indicates a work characterized by dramatic shifts in mood and texture. As one version of a larger composition, its reception is likely tied to its place within Barry's broader oeuvre and its distinct arrangement for solo piano.