This volume presents a comprehensive survey of Peter Milton's complete printmaking output from 1960 to 1996. The book features duotone reproductions of Milton's etchings, with some details enlarged to actual size for closer examination. It includes an introduction by Robert Flynn Johnson, a curator-in-charge at the Fine Arts Museums of San Francisco, an interview with Milton discussing his life and work, and an essay by Milton himself analyzing the iconography of specific prints. The publication is further enhanced by detailed documentation of print editions, a chronology, and a bibliography.

This comprehensive portfolio is designed as a definitive resource for collectors and admirers of Peter Milton's printmaking. The inclusion of critical essays, an artist interview, and detailed documentation suggests a work aimed at providing deep insight into his oeuvre. The publication's structure, featuring curatorial and artist contributions alongside extensive cataloguing, positions it as a significant scholarly and visual reference.