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A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, this book redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders--the actor’s apprenticeship, training, character development, and rehearsals--Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor’s identity that cultural transmission and embodiment represent.
This book investigates how the intersection of technique, memory, and imagination informs the actor's performance, challenging existing intercultural debates by centering on the practitioner's internal process. Cláudia Tatinge Nascimento, a scholar of performance, utilizes original interviews with prominent actors such as Ang Gey Pin and Roberta Carreri to examine the mechanics of cultural transmission. The work argues that traditional analyses of performance often overlook the permanent transformation of an actor's identity, leading to flawed assumptions regarding race, ethnicity, and cultural appropriation.
What You Will Find
Scholars and theater practitioners frequently cite this work for its focus on the practical, often hidden, realities of the actor's creative labor. Experts highlight the text as a significant contribution to performance studies that successfully shifts the discourse away from abstract theory toward the lived experience of the performer.
Page Count:
194
Publication Date:
2008-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203891953
ISBN-13:
9780203891957
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