This book examines the prolific output of Claes Oldenburg's multiples produced between 1964 and 1990. It serves as a comprehensive catalog and analysis of these unique three-dimensional works, exploring their significance within Oldenburg's broader artistic practice. The publication likely details the conceptual underpinnings, material innovations, and diverse forms these multiples took over a nearly three-decade period.

This catalog is likely regarded as a significant reference work for scholars and collectors interested in Claes Oldenburg's oeuvre, particularly his contributions to the field of multiples. The focus on a specific period of his production suggests an in-depth exploration that would appeal to those studying Pop Art and sculpture. Its utility as an exhibition catalogue or a dedicated study of his multiples would position it as a valuable resource for understanding his artistic development and impact.