This work provides a comprehensive overview of the critical reception and analysis of Anton Chekhov's literary output from its inception in 1880 up to 1986. It synthesizes scholarly perspectives from diverse geographical and ideological backgrounds, including Russia, the Soviet Union, Western Europe, the United Kingdom, and the United States. The book meticulously examines each of Chekhov's plays and over two hundred short stories, organizing the critical discourse chronologically to trace the evolution of scholarly thought on his work. The primary argument is to present a unified, historical survey of Chekhovian criticism, highlighting its development and key trends over a century.

This compilation serves as a foundational reference for scholars and students of Russian literature, offering a structured and extensive review of Chekhovian criticism. The chronological arrangement and broad geographical scope of included critics provide a valuable historical context for understanding how Chekhov's works have been interpreted and debated over time. The book's detailed coverage of individual plays and stories makes it an indispensable tool for in-depth research into specific aspects of his oeuvre. Its comprehensive nature suggests it is a significant scholarly resource for anyone studying the reception and academic study of Anton Chekhov.