The book explores the intersection of photography and painting through a series of nude images created between 1986 and 1991. The collection features color images of nudes that have been transformed during the developing process, resulting in a unique hybrid of photographic and painterly aesthetics. The work emphasizes the tactile and physical nature of a printed book, suggesting that its material history contributes to its character in a way that digital renderings cannot replicate.

This collection is presented as a unique artistic endeavor, blending photographic techniques with painterly effects. The emphasis on the physical object suggests an appreciation for the tangible qualities of art books. The work appears to be a specialized exploration of artistic process and medium.