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New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts, defining over 500 critical terms. The authors address key aspects of contemporary semiotic and cultural debate-for example Metz's semiotics, Genette's narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate the concepts under discussion. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics is an impressive guide that will be useful for scholars in all areas of the arts, philosophy, and literature where an awareness of semiotic terminology and methodology has become indispensible to serious theoretical work.
This text investigates the complex intersection of linguistic theory and cinematic analysis by providing a structured lexicon of semiotic terminology. The authors, Robert Burgoyne, Robert Stam, and Sandy Flitterman-Lewis, synthesize decades of critical debate to offer a rigorous framework for understanding film narrative. By bridging the gap between structuralist linguistics and visual media, the book establishes a methodology for interpreting the discourse, psycho-semiology, and intertextuality inherent in motion pictures.
What You Will Find
Scholars and students frequently identify this work as a foundational reference for navigating the dense theoretical landscape of cinema studies. The text is widely regarded as a necessary resource for those conducting advanced research in the arts, philosophy, and literature.
Page Count:
256
Publication Date:
2005-01-01
Publisher:
Routledge
ISBN-10:
020397719X
ISBN-13:
9780203977194
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