This catalogue examines a pivotal three-year period in Willem de Kooning's late career, during which he radically transformed his artistic style. The book focuses on ten paintings created between 1983 and 1985, a critical phase selected by curator John Elderfield. Elderfield notes that de Kooning reinvented himself in these canvases, which are characterized by their spatial complexity and physical presence. The publication includes an essay by Elderfield discussing specific themes within these works and reflections from five other painters on de Kooning's late period.

This catalogue is presented as a scholarly examination of a specific, transformative period in Willem de Kooning's oeuvre. The selection of works by John Elderfield, a noted curator, and the inclusion of essays by both Elderfield and other painters suggest a focus on critical analysis and artistic dialogue. The reception is framed by the curator's observation of de Kooning's self-reinvention and the 'extraordinary' nature of these canvases, implying a significant contribution to understanding the artist's late style. The book aims to provide insight into the visual complexity and physicality of these particular paintings.