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Product Description One of the favourites from the repertoire of the famous 'Duo Sonare', as recorded on SST 0204. About the Author Johann Sebastian Bach was the first great musician to disregard the rules of harmony and rhythm that were strictly followed by other composers. This fact alone helped to make him the forerunner of musical composition as we know it today. Born the son of a violinist in Eisenach, Germany, in 1685, he received his first musical training on the violin. At the age of 10, he went to live in the home of his brother Christoph, who taught Johann to play the harpsichord and the organ. It was also at this time that Bach began school, where his boy-soprano voice was greatly admired and appreciated. When his voice changed, Bach concentrated on the violin; but the organ soon took his interest, and he decided to devote himself to church music. At the age of 18, Bach became the organist at Arnstadt and began his work in musical composition. After a short period of time, he moved to Muhlhausen where he married his cousin, Maria Bach. At Muhlhausen he began to experiment with changes in the music used in the church services of the German Protestant Church. It was also during this time that he began to become somewhat well known. It was this that gained for him the position as court organist and violinist to the duke at Weimar, where he remained for about nine years. During this nine-year period, he wrote many cantatas for the Church, suites for the clavichord and harpsichord, and fugues (musical compositions in which the first melody is continually repeated and imitated throughout the entire piece). In fact, because he wrote so many fugues for the organ and piano, he is often called "the Great Master of the Fugue." His next position at Köthen was during the period in which he produced much of his orchestral music and music for the clavichord and harpsichord. In 1720 his wife died; and a year later he married Anna Wulken, who was also a musician. She evid
This publication investigates the technical and harmonic adaptation of Johann Sebastian Bach's keyboard Toccata in E minor, BWV 914, for the medium of a guitar duo. The arrangement, crafted by Thomas Offermann, serves to translate the complex contrapuntal textures of the Baroque keyboard original into a performable format for two guitars. By utilizing the specific tonal capabilities of the guitar, the work explores how Bach's intricate fugal structures and improvisatory keyboard style can be maintained within a chamber music framework.
What You Will Find
This arrangement is recognized by classical guitarists as a standard performance piece for duo ensembles. Experts note that the score effectively balances the technical demands of the guitar with the rigorous contrapuntal requirements of Bach's original composition.
Page Count:
28
Publication Date:
2010-07-13
Publisher:
Chanterelle
ISBN-10:
0204705495
ISBN-13:
9780204705499
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