This book examines the evolution of Anthony Caro's table sculptures during a pivotal decade in his career. It delves into the period between 1966 and 1977, a time when Caro produced a significant body of smaller-scale works that explored form, material, and spatial relationships. The text likely analyzes the conceptual and technical innovations present in these pieces, contrasting them with his larger works and situating them within the broader context of contemporary sculpture.

This publication focuses on a specific period of Anthony Caro's prolific career, offering an in-depth look at his table sculptures. The subject matter suggests a work aimed at art historians, critics, and serious collectors interested in the development of modern sculpture. The inclusion of Michael Fried as an author indicates a scholarly approach, likely grounded in art criticism and historical analysis.