Donald Judd's writings offer a critical lens on the art world of 1959-1975, moving beyond general surveys to detailed analyses of specific artists and movements. The book presents Judd's sharp critiques of over five hundred artists exhibiting in New York during this pivotal period, examining the social and political contexts of art production. It delves into the works of prominent figures like Jackson Pollock, Barnett Newman, and Claes Oldenburg, and includes foundational essays such as "Specific Objects" and the polemical "Imperialism, Nationalism, Regionalism."

This collection is regarded as an essential resource for understanding mid-20th-century American art, particularly from the perspective of a major artist. The inclusion of "Specific Objects" solidifies its importance for discussions on sculpture, while the previously unpublished "Imperialism, Nationalism, Regionalism" offers further insight into Judd's critical thinking. The detailed focus on numerous artists and the inclusion of reproductions and an index make it a comprehensive reference for scholars and enthusiasts alike.