This study investigates the theoretical texts on theater written by Jean Genet between 1954 and 1967. It aims to provide a comprehensive analysis of Genet's theatrical theories and acknowledge the vast cultural knowledge of the writer. The work explores the evolution of his thought on theater during this significant period of his literary output.

This academic study is likely to be of interest to scholars of French literature, theater studies, and Jean Genet specifically. The focus on his theoretical writings from a defined period suggests a deep dive into his intellectual development as a playwright and theorist. The work aims to highlight the sophistication of Genet's thought and his significant cultural knowledge, positioning it as a valuable resource for understanding his contributions to 20th-century theater.