This book explores the pivotal 1962 woodblock monotypes of artist David Rabinowitch, created at the cusp of his transition from painting to sculpture. The 100 monotypes, presented here for the first time, offer a unique window into Rabinowitch's artistic process as he formulated his early sculptural works. While these pieces clearly precede and may foreshadow his sculptures, they are not mere studies but possess an independent artistic merit. They directly engage with sculptural concerns, particularly the establishment of an abstract ideography of signs that convey only themselves, manifesting as lively, colorful, calligraphic forms in dynamic relationships.

The book is likely to be of significant interest to scholars and collectors of contemporary sculpture and printmaking, offering a rare look at a crucial period in David Rabinowitch's career. The presentation of these previously unseen monotypes provides a unique opportunity to understand the conceptual underpinnings of his sculptural practice. The detailed analysis promises to illuminate the artist's innovative approach to abstract ideography and the expression of sculptural concerns through graphic means. This collection serves as a testament to Rabinowitch's early artistic vision and his foundational contributions to the field.