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Fact: Double film presentations as cinemagoers of a certain age fondly remember them no longer exist in British cinemas. However, 45 to 75 years ago, they flourished as never before and were the norm, part and parcel of the rich fabric of cinema life in a country not subjected to television's influence or, nowadays, social media. The cinema reigned supreme over all other forms of entertainment for the masses: there was nothing to hold a candle to the experience of watching a pair of motion pictures in a large, packed auditorium, be it a major release or a lowly Z feature. From 1950 up to 1970, the post-war Baby Boomer generation were served up on their weekly movie menus a veritable feast of goodies, consisting of a double bill from Monday to Wednesday; another from Thursday to Saturday; and a third on the legendary Sunday One-Day Only slot. The latter unashamedly pandered to the horror/sci-fi/fantasy thrill-seeking buff and many of the 268 double bills included in this volume emanate from those fabulous, and much-missed, Sunday programs. Without doubt, these halcyon years were the heyday of the double screenings in UK cinemas, playing to full and appreciative houses, week in, week out. If like myself you were a film enthusiast of the first order, living through that incredible heady and fruitful period was a once-in-a-lifetime occurrence that will never, as things stand, happen again. Hopefully, this book will relive some of those past glories, for older fans and, maybe, for newcomers to the genre who will maybe want to know what is was like going to the pictures way back then. Well, it was like this...
This book investigates the prevalence and cultural significance of double feature film presentations in British cinemas between 1958 and 1970, with a particular focus on horror, science fiction, and fantasy combinations. The author, Barry Atkinson, draws on his personal experience as a film enthusiast from that era to explore how these double bills, especially the Sunday-only programs, catered to a specific audience seeking thrills and escapism. The book examines the context of a pre-television and pre-social media entertainment landscape where cinemas reigned supreme, offering a rich fabric of cinematic experiences that are now largely absent.
The book is presented as a nostalgic look back at a bygone era of cinema-going, specifically focusing on the popular practice of double feature presentations in British cinemas. It aims to evoke the atmosphere and excitement of attending these screenings, particularly those featuring horror, science fiction, and fantasy double bills. The author's personal connection to the period suggests an insider's perspective, likely appealing to enthusiasts of classic British cinema and genre films from the mid-20th century. The work promises to be a comprehensive catalog and cultural commentary on a significant aspect of film exhibition history.
Page Count:
628
Publication Date:
2025-12-12
Publisher:
BearManor Media
ISBN-13:
9798887719115
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