This issue of the Dance Observer, Volume 23, Number 6, from June-July 1956, serves as a historical record of the dance world during that period. It features contributions from notable figures in dance criticism and theory, offering insights into the performances, trends, and discussions prevalent at the time. The publication aims to document and analyze the evolving landscape of dance through a collection of articles, reviews, and essays.

This particular issue of the Dance Observer is a historical document, offering a snapshot of the dance world in the mid-1950s. Its value lies in its primary source material, featuring established critics and thinkers of the era. The collection of articles and essays provides insight into the critical discourse and artistic landscape of dance during that specific time.