This book presents a comprehensive catalog of drawings by the contemporary Chinese artist Zhang Huan, focusing on his work from 1951 to 1955. The volume explores Zhang Huan's artistic evolution, particularly his recent exclusive focus on large-format drawings that incorporate elements of ink, wood-cuts, ash, and soy sauce. These works often feature human figures and animals engaged in metaphorical explorations of identity, blending traditional Chinese culture with Western influences and Christian symbolism. The book documents his transition from performance art to his current drawing practice, reflecting his life and work between New York and Shanghai.

This catalog serves as a significant document of Zhang Huan's artistic output, particularly his recent focus on drawing. The works presented are noted for their imaginative and symbolic content, exploring themes of identity through a blend of cultural influences. The book's focus on his large-format drawings, incorporating unique materials, highlights a distinct phase in his career. It offers a valuable resource for understanding the evolution of a prominent contemporary artist.