This book examines the evolution of British sculpture from 1951 to 1991, a period marked by rapid stylistic and theoretical shifts in the visual arts. It explores how artists responded to the post-war context, including the profound impact of the Holocaust and the atomic bomb, which necessitated a re-evaluation of artistic expression and humanism. The text highlights the diverging paths of prominent sculptors like Barbara Hepworth, who pursued classicizing abstraction, and Henry Moore, who focused on family groups, illustrating the diverse approaches within this dynamic era.

The book offers a focused look at a significant period in British sculpture, highlighting the intellectual and historical currents that shaped artistic output. It appears to provide a scholarly overview, tracing the development of distinct artistic philosophies through the works of major figures. The text likely appeals to art historians, students, and enthusiasts interested in the evolution of modern sculpture and its socio-historical context. The emphasis on specific artists and movements suggests a detailed and analytical approach to the subject matter.