This volume investigates the compositional legacy of Clare Fischer by presenting his original jazz manuscripts for the first time in a comprehensive, authoritative collection. The book serves as both a practical resource for performers and a scholarly reference for musicologists, utilizing primary source manuscripts to ensure the accuracy of the transcriptions. By documenting his most popular compositions alongside biographical context and discographical data, the text establishes a definitive record of Fischer's unique harmonic and melodic contributions to the jazz idiom.

The inclusion of original manuscripts and expert commentary suggests this collection is intended for serious jazz pianists and music historians seeking primary source material. The scope of the work, covering both popular tunes and lesser-known compositions, positions it as a foundational reference for understanding Fischer's specific harmonic language.