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In Deathscent: Intrigues of the Reflected Realm Robin Jarvis has created an endearing and yet dark tale which encompasses historical adventure, fantastical visitors from other worlds and political intrigue. "Englandia" is the familiar Renaissance England of history and literature yet also full of unfamiliar practices and characters--Elizabeth has been on the throne for 178 years, but is still at war with Catholic Spain; one's class within society is still determined by one's noble status and favour with the queen (and indicated by how frilly one's ruff is or how flamboyant one's doublet and hose), but that archaic society exists in 93 beatified floating isles, which were "raised" many years before; and the only living animals which exist are humans. This last conceit is brilliantly elaborated upon to great comic and sentimental effect--the mechanical animals which exist instead (and whose "proudflesh" is eaten after being harvested and flavoured with essence of beef, venison, pork or lamb) become characters in their own right. Suet, the mechanical piglet who is blessed with being given one of the most sophisticated cordials or humours to make him work, is a devoted pet that any reader would like to adopt for themselves.Adam o' the Cogs is the young apprentice who is adored by Suet the piglet, and it is partly through his eyes that we follow the story. His life in a literal backwater in Suffolk working as a repairer of these mechanical animals is disturbed greatly when Brindle, a visitor from another world, comes crashing down to their floating isle in his alien vehicle. By focusing also on Brindle's experience of this strange world Jarvis very successfully explains the alien and the familiar to the 21st-century reader. Jarvis's ear for authentic 16th-century language, and his insistence on retaining Renaissance authenticity despite the fantastical setting and conceits, ensures that the genuine excitement of Elizabethan politics is conveyed to the reader as clearly a
The arrival of an alien visitor on a floating isle disrupts the life of a young mechanical repair apprentice, setting off a chain of events that threatens the stability of a long-reigning Elizabethan regime. Adam o' the Cogs, a humble repairer of mechanical creatures in a world where biological animals are extinct, finds his quiet existence shattered when Brindle, a traveler from another dimension, crashes into his Suffolk home. As Adam navigates the rigid social hierarchies of a floating Englandia, he must contend with political machinations and the arrival of a force that challenges the very nature of his reality. The narrative alternates between Adam's perspective and the outsider's view, providing a dual lens on a society defined by its strange, clockwork-driven existence.
This work is characterized by its inventive fusion of Elizabethan historical fiction and imaginative steampunk elements. The narrative relies on the contrast between the rigid, archaic social structures of the floating isles and the disruptive presence of an otherworldly visitor. Readers likely find the mechanical animals, particularly the piglet Suet, to be a central emotional anchor within the otherwise complex political landscape. The prose maintains a commitment to period-appropriate dialogue, which serves to ground the fantastical premise in a recognizable, albeit altered, historical context.
Page Count:
320
Publication Date:
2001-01-01
Publisher:
Collins
ISBN-10:
0001857029
ISBN-13:
9780001857025
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