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Diane Schoemperlen's acclaimed In the Language of Love expanded our expectations of the contemporary novel, using everyday words to deconstruct a young woman's life and loves. In her new short story collection,Forms of Devotion, she again tests the bounds of her craft, creating an arresting and wonderfully readable work that is also a treat for the eye.Forms of Devotion contains eleven stories, each one a brilliant interplay of words and images. The illustrations, selected by Schoemperlen and depicting almost every subject imaginable, are wood engravings and line drawings from the seventeenth, eighteenth and nineteenth centuries. In some cases, she was inspired to write the story after studying the illustrations; in other cases, she wrote the story first, then chose or constructed the pictures to accompany it. The result is a playful, sometimes surreal and often mysterious juxtaposition of a historical fascination with anatomy and classical themes with the author's contemporary exploration of everyday people, places and things.Each story is a creative delight, perfectly formed and rich in mischievous wit, irony and multi-layered meaning. The title story, “Forms of Devotion,” is a wonderful literary cataloguing of the traits and qualities of the faithful, those who “sail off to work, perfect confident that they will indeed get there: on time, intact. It does not occur to them that they could just as well be broadsided by a Coca-Cola delivery truck running the red light at the corner of Johnson and Main.” “Five Small Rooms” is an intriguing, spectral journey into the narrator's imagination, with the reader left wondering, “Is it madness or a murder mystery?” In “How Deep is the River,” the author offers an innovative, completely compelling take on the ubiquitous high school math problem that begins “Train A and Train B are traveling toward the same bridge from opposite directions ”Quite different in form, yet alike in their ability to entertain and provoke, the storie
This collection of eleven short stories explores the intersection of human experience and historical imagery through a series of surreal and ironic narratives. The author challenges traditional storytelling by pairing contemporary prose with antique wood engravings and line drawings from the seventeenth to nineteenth centuries. Each story functions as a distinct exploration of everyday life, where the protagonist often confronts the fragility of their reality against the backdrop of historical art. The narrative framework shifts between observational realism and imaginative abstraction, forcing the reader to reconcile the visual artifacts with the modern themes presented in the text.
This collection is noted for its innovative structural approach, which successfully bridges the gap between visual art and contemporary prose. The interplay between the antique illustrations and the modern stories creates a unique reading experience that highlights the author's ability to manipulate form. Readers often point to the title story as a standout example of the author's sharp, observational wit and her talent for cataloging the nuances of human behavior. The work is widely regarded as a significant contribution to experimental fiction, demonstrating a high level of craft and intellectual playfulness that remains accessible to a broad audience.
Page Count:
220
Publication Date:
1998-01-01
Publisher:
Harpercollins Canada
ISBN-10:
0002245663
ISBN-13:
9780002245661
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