
Writing in Music demystifies music writing conventions and methods by offering strategies for the types of writing that students most often encounter in college courses on music. The book offers guidance through the writing process and, for research assignments, through the research process. Geared for an audience of music majors and other students taking undergraduate music-major courses--as well as for master's students in music desiring more training in academic writing--Writing in Music covers the two approaches common to academic coursework in virtually all music-major programs: the study of music with a focus on its cultural and historical contexts, and the exploration of works using the tools of music analysis. Whether students want to apply a specific approach or take a broader, interdisciplinary stance, this guide prepares them to think and write about music.
This guide investigates the specific rhetorical and analytical requirements of academic music writing to help students navigate common college-level assignments. The authors, Karen M. Bottge, Lynne Rogers, and Sara Haefeli, leverage their expertise in music pedagogy to provide a structured framework for composing essays. They argue that successful music writing requires a synthesis of cultural-historical context and formal music analysis, providing students with the necessary tools to bridge these two academic approaches.
What You Will Find
Scope Limits
Educators frequently cite this text as a practical resource for undergraduate music majors struggling with the transition to formal academic writing. Experts highlight the book's ability to demystify complex disciplinary expectations through clear, actionable advice.
Page Count:
288
Publication Date:
2021-01-07
Publisher:
Oxford University Press
ISBN-10:
0190872721
ISBN-13:
9780190872724
No comments yet. Be the first to share your thoughts!