
As an Amazon Associate and affiliate partner, Menrva Books earns from qualifying purchases. Learn more
Like Dorian Gray, the exquisite Nicholas limned in this sleek and troubling novella may become a cult figure. The self-absorbed, narcissistic young man feels he has been exceptional from the moment of his birth by Caesarian section; he was thus unmarked and more perfect than other babies. "There is no such thing as more perfect," corrects his mother. "Of course there is," says Nicholas. To avoid unsightly lines, he never smiles when photographed; to avoid even a trace of fat, he eats little: the obi of the kimono in which he often poses winds twice around his waist. The men he fancies bestow upon him rare enamels, ivory carvings, jewels because, he explains with apparent guilelessness to his older brother, who narrates the novel, it pleases them to do so. But ointments and finery are helpless against the years. At 30 Nicholas the odalisque begins to resemble a tart; at 37 he is dead. His brother, summoned by Nicholas's landlady to collect the lapsed body and now-scarred valuables, looks back fondly, objectively and suggestively upon a life no longer valid once physical beauty is flawed. Sensual, mocking and deadly serious, this first novel casts a long shadow.
The narrative follows the life and inevitable decline of Nicholas, a man whose entire existence is predicated on the maintenance of his own physical perfection. As Nicholas ages, his desperate attempts to preserve his youthful beauty against the encroaching reality of time lead him into a cycle of narcissism and isolation. The story is told through the eyes of his older brother, who observes Nicholas's trajectory from a distance, documenting the shift from his early days of curated elegance to his eventual, tragic end. The prose functions as a clinical yet intimate examination of a life defined by vanity and the fragility of the human form.
This novella is frequently noted for its sharp, unsentimental examination of vanity and the destructive nature of self-obsession. The narrative style is often described as cool and detached, which mirrors the protagonist's own lack of genuine connection to the world around him. Readers and critics alike have pointed to the comparison with Dorian Gray as a central thematic anchor for the work. The book remains a distinct example of late 20th-century character-driven fiction that prioritizes psychological precision over traditional plot progression.
Page Count:
109
Publication Date:
1988-01-01
Publisher:
Flamingo
ISBN-10:
0006542786
ISBN-13:
9780006542780
No comments yet. Be the first to share your thoughts!